An extremely nice evening organised by the Flemish Caledonian Society covering Country Dancing, Ceilidh and Highland Dancing from Scotland, as well as Irish Ceili Dancing.
The Flemish folk group (playing Celtic music) Green Jacket did a nice job. Playing for Celtic dancing is not easy ! I don't know whether or not they consulted Dianna L. Shipman's playing for Scottish country dancing webpage.
Since Scottish Ceilidh is different from Irish Ceili (note even the difference in spelling !), here is an introduction to some Scottish Ceilidh steps as explained by the Selangor St Andrew's Society. In particular the pas de basque displayed on the right as performed by Dianna Shipman, is not something you see in Irish dancing.
Here are some of the dances that figured on the programme.
Scottish dances
Gay Gordon
A very easy dance, and not without a reason used to open the Ceilidh.
There are many descriptions on-line available and they are pritty consistent, though some more detailed than others with respect to the footwork:
The Gay Gordon is danced to marches such as this
Kevin and Linda Bell (mp3; 0.5Mb) played by
Jim MacLeod, but also hornpipes, or polkas. But what is better than to dance it to
The Gay Gordon Pipe March (RA;
sheet music) here played by one of the greatest Scottish fiddlers, the late
James Scott Skinner.
There are some arguments about what to do when and how as you can see from this discussion on
Gay Gordons variations. The dancing teacher
Hugo Moule claims this dance to have also
progressive version, which seems to be nothing more, nothing less than the
bal folk gigue. When, recently (21/01/2004),
Ross Fowler, fiddler and band leader of
The Headlanders Ceilidh Band, came across this page, he told me:
I note your comments on the progressive gay gordons. I have come across the
dance only once, at a ceilidh in Edinburgh (perhaps I don't go to the right ceilidhs?), and it is almost as described in Hugo's dance pages. We danced a pas-de-bas (I'm not sure if Hugo's terminology is inexact or it is a different step he's suggesting) rather than jumping. From reading your description of the bal folk gigue it does appear to be very similar, the difference perhaps being that the Gay Gordons is generally danced to 2/4, 4/4 or 6/8 marches rather than jigs.
The Canadian or Highland Barn Dance
Available descriptions:
Here is a nice
tune for the Highland Barn Dance (ra) played by the show band of the
McTavish's Kitchen restaurant. Good music, but I don't know anything about the food they serve.
The Cumberland Reel
The word
reel denotes many things, and even in the domain of music and dance, it has three different meanings:
- a particular kind of tune in 4/4;
- a specific sort of dances
- a specific movement in Scottish country dancing.
Confusing ? Well, in this case, the second meaning applies since the Cumberland Reel is danced to 32-bar jigs such as
The Cumberland Reel jig (mp3; 0.8MB) as played by
Jim Cameron's Scottish Dance Band. You'd like to play it ? Then here is what you need: sheet music for
fiddle,
guitar,
bass,
banjo, and
dobro.
Here are a few descriptions:
Chicken hornpipe
Virginia reel
This seems to be one of the oldest Ceilidh dances and, as a consequence, there are many variations:
The Virginia reel may be danced to any reel, hence also to the reel with the same name as the dance. Listen to the
Virginia Reel/Merry Blacksmith/Hunter`s Purse reel medley played by
Celtic Jam.
The St. Bernard's Waltz
A nice slow waltz with easy steps and figures. Listen to
Nancy's waltz (ra; 0.5Mb) performed by
Ceilidh Minogue.
Available descriptions:
Irish Ceili dances
4-Hand Reel
There are a couple of good on-line resources available:
Bonfire dance
The Bonfire Dance (
Rince Mór na Tine) is an old circle dance danced to reels. It had an association with old traditions in that it was supposed to have been danced around the bonfire on St. John's Eve. It is said to be very old.
The dance is explained on the video
Dancing at the crossroads.
It has the following figures:
- A. ADVANCE AND RETIRE (4+4)
- B. RINGS (8)
- C. ADVANCE AND RETIRE (4+4)
- D. RINGS (8)
- E. SIDE-STEP IN AND OUT (4)
- F. LINKING ARMS (4)
- G. SIDE-STEP IN AND OUT (4)
- H. LINKING ARMS (4)
- I. THE ROSE (32)
- J. SWING AND EXCHANGE PARTNERS (8)
Waltz of Limerick (Ballaí Luimní)
There must be something funny with this name. The dance isn't a waltz at all, but a progressive ceili dance danced in couples of four along a circle or in rows. Probably, at some time, there has been a confusion between
walls and
waltz, since the
town of Limerick has walls which were used as a defence mechanism.
There are many on-line descriptions available. Here are just a few:
We taught the dance during the
Gooikoorts 2003 Irish Dancing workshop and
Gooikoorts 2004 Irish Dancing workshop on Saturday.
You can dance it to any reel. It figures on
Matt Cunningham's Dance Music of Ireland CD. The dance is explained on
Olive Hurley's first video.
You can also see it
danced by the Pimpelmezen: not an expert demonstration but the results of a 1.5 hour dancing introduction.
Haymaker's jig
See a detailed description on the
Wattrelos 17-18/01/2004 Workshop report.
Siege of Ennis
A description of this dance is on our page covering the
workshop with Finnbar Hurley. On this occasion, it was danced to jigs with the characteristic rising step
sink and grind.
Fairy reel
Please see the description of this dance also on our page covering the
workshop with Finnbar Hurley.